《言之有益》/评论（双语美文）(2)

This simple yet profound truth is poignantly captured in the movie Three Thousand Li of Changan. The scriptwriter laments how even the great masters like Li Bai, Du Fu and Gao Shi lived lives filled with regrets despite their literary genius and lofty ambitions. The mortal condition allowed them little control over the vagaries of fate. Behind the veneer of their poetic brilliance lay private agonies and unrequited aspirations.
这简单又深刻的真理,在电影《长安三万里》中得到了凄美的描绘。编剧哀叹,即使是李白、杜甫、高适等文学大师,他们的生命中也充满了悔恨,尽管他们才华横溢、抱负远大。必死的宿命让人对命运的反复变幻几乎毫无掌控。他们诗篇中折射的灵性光芒背后,隐藏着私人的痛苦和落空的心愿。
Li Bai, the carefree Divine Poet whose verses resonated with the spirit of nature, yearned in vain for an opportunity to serve his country. His unconventionality brought him as much isolation as admiration. Neither patronized by the nobility nor understood by conventional society, his free spirit was ultimately caged in a rigid feudal system.
李白,这个性格随意、诗作充满自然灵气的诗仙,一生都在徒劳地渴望有机会报效国家。他的不拘一格为他带来的,与其说是赞赏,不如说是孤立。他既不被贵族欣赏,也不被世俗社会理解,最终他自由的灵魂被封建体制牢牢束缚。